Watching 30 Rock

Maybe not as edgy as the Vanity Fair shoot (it is Reader’s Digest after all) but still interesting:

Tina Fey: Funny Girl
Tina Fey talks about Laverne and Shirley, her favorite Stooge, and the fine line between mean and mellow.
By Jancee Dunn
From Reader’s Digest
April 2008

Getting a Good Laugh
As a shy, nerdy student in Upper Darby, Pennsylvania, Tina Fey wrote a satirical column for The Acorn, her school newspaper, taking aim at the usual subjects — rigid teachers and even more rigid school policies. Her writing didn’t propel her to cool-kid status, but it did make people laugh. Fey was hooked.

Now 37, she’s still getting laughs as the creator, executive producer and Emmy-winning star of 30 Rock. The show is not so loosely based on Fey’s experiences as the first female head writer on Saturday Night Live and acerbic host of its “Weekend Update” segment. She made the jump to a bigger screen when, in 2004, she wrote, produced and appeared in Mean Girls, a pitch-perfect high school comedy.

While Fey can be pointed, she’s also thoughtful, self-effacing and almost absurdly well-adjusted. She’s close to her parents, likes to sew and bake cookies rather than hit the town, and lives quietly in New York City with her husband, composer and producer Jeff Richmond, and their two-year-old daughter, Alice.

This month, Fey returns to theaters in Baby Mama, a comedy about a single executive who hires a surrogate to have her baby. After a day of filming in Manhattan, she sat down with RD to talk about funniness, family and Febreze.

RD: Do you see your humor as a gift?
Fey: I always think of everything from a mother’s point of view now. Every kid has something they’re good at, that you hope they find and gravitate toward. This is my thing. I don’t think I was supposed to be a gymnast and accidentally landed on this.

RD: Do you still get that hit when you get a good laugh?
Fey: Absolutely. My favorite day at 30 Rock is Thursday, when the show airs. At lunch we screen the episodes. For everyone to watch together, to see the stuff we all worked on, to hear the crew laugh — it’s great fun.

RD: What pleases you more, applause or laughter?
Fey: Laughter. You can prompt applause with a sign. My friend, SNL writer Seth Meyers, coined the term clapter, which is when you do a political joke and people go, “Woo-hoo.” It means they sort of approve but didn’t really like it that much. You hear a lot of that on [whispers] The Daily Show.

RD: Your humor has been described as biting. Are you a mean girl?
Fey: I’m not a mean person, but I have a capacity for it. I have the biting comment formed somewhere in the back of my head — like it’s in captivity. Sometimes people expect that I’m going to be tough. It’s not a bad situation. People treat you better. People are on time.

RD: What’s the difference between male and female comics?
Fey: Every comic way of writing is unique, but I think male comedy is more boisterous. Usually it involves robots and sharks and bears. Female comedy is more likely to be about the minutiae of human behavior and relationships.

RD: Your mom was one of your comedy inspirations. Did you play to her at the dinner table?
Fey: My whole family played to each other. My mom’s a dry wit. Philadelphians have a smart-alecky humor. A college roommate from the South said, “How come when I ask someone in your family a question, they give a smart-aleck answer before the real one?” I think it’s the difference between the North and the South.

RD: What did your dad bring to the proverbial table?
Fey: My dad has a good sense of silliness. He was the one to let me and my brother stay up to watch Monty Python’s Flying Circus. He introduced us to the Marx Brothers, Laurel and Hardy and even the Three Stooges.

RD: What TV shows influenced you?
Fey: There was a great night of TV that was Mary Tyler Moore into Bob Newhart into Carol Burnett. There was SNL. I know I saw those early shows somehow, but they must have been repeats because I was only five in ‘75. Second City Television, Happy Days, Laverne & Shirley and The Love Boat. Laverne & Shirley might be the direct influence for Baby Mama.

(more…)

I’m not really surprised that Alec Baldwin is a friend of the gays. He’s pretty liberal, he’s on a show 30 Rock that is pretty gay-positive, and he just seems like an awesome guy. But I was surprised to hear that his brother, Stephen Baldwin, is pretty anti-gay. Stephen! What the hell? You’re in show business (uh, sorta) for goodness sake. Stephen apparently called into the Howard Stern show with the following comments:

“I don’t believe that gay marriage is in line with God’s Word, which is found in the Bible. So, what I think doesn’t matter; what I believe is what’s in the Bible and the Bible says that gay marriage is not acceptable.”

And Alec has fired back with the following:

“Well, in the modern political world, people like that — whether or not I’m related to them — only help us raise money. They want to ban gay marriage because those people are incapable of having a biological family — that’s their only argument. You can ban gay marriage, but if you’re going to make it fair, then you have to ban marriage for everybody else who won’t produce children. But they just single out groups of people that they hate.”

Stephen Baldwin is currently a contestant on Celebrity Apprentice. C’mon, Trump, isn’t it time to fire him?

Alec Baldwin, Stephen Baldwin, Donald Trump, Celebrity Apprentice

Here is the cover of Vanity Fair featuring our girl Tina Fey, along with Amy Poehler and Sarah Silverman. Be sure to take note of where Amy’s hand is. HOTT.

The cover was shot by the amazing and incredible Annie Leibovitz as part of a photo spread accompanying the article “Who Says Women Aren’t Funny?” Not me, that’s for damn sure.

30 Rock, Tina Fey, Amy Poehler, Sarah Silverman, Vanity Fair, Annie Leibovitz